{"id":576878,"date":"2023-01-21T10:14:04","date_gmt":"2023-01-21T09:14:04","guid":{"rendered":"https:\/\/beta.canzoneitaliana.it\/sanremo-gli-anni-settanta\/"},"modified":"2023-06-29T08:44:57","modified_gmt":"2023-06-29T06:44:57","slug":"sanremo-gli-anni-settanta","status":"publish","type":"post","link":"https:\/\/canzoneitaliana.it\/en\/sanremo-gli-anni-settanta\/","title":{"rendered":"SANREMO \u2013 THE 1970s"},"content":{"rendered":"

In the early nineteen-seventies the popularity of the Festival was at its peak, and in 1972<\/strong> it achieved its historical record, with 26 million viewers: almost one Italian out of two watched it. Then began a decline that saw it steer clear of the most vital ferments of those years, marked by political violence.<\/p>\n

The winning song in 1970<\/strong> \u2013 Chi<\/em> non lavora non fa l\u2019amore<\/em> \u2013 was an original duo in which Celentano, with his wife Claudia Mori, spoke out about the strikes that were paralyzing the country. Second came the Ricchi e Poveri with Nicola Di Bari (La prima cosa bella<\/em>), third Endrigo with L’arca di No\u00e8<\/em>.<\/p>\n

In 1971<\/strong> Nicola Di Bari and Nada won with a classic Italian melody: Il cuore \u00e8 uno zingaro<\/em>. Che sar\u00e0<\/em> with Jos\u00e9 Feliciano and Ricchi and Poveri came second, but the moral winner was Lucio Dalla with 4 marzo 1943<\/em>, a fictional autobiography. Dalla would also hit the mark the following year with Piazza Grande<\/em>.<\/p>\n

In 1972<\/strong> Di Bari repeated his success with I giorni dell’arcobaleno<\/em>. Among the revelations, Marcella with Montagne verdi<\/em> and Ivano Fossati\u2019s band Delirium with the song Jesahel<\/em>.<\/p>\n

In 1973<\/strong> the victory went to Peppino Di Capri, interpreter of Un grande amore e niente pi\u00f9<\/em>. Then the scene became pretty desolate until the following decade, a monotony broken only in 1978 by Rino Gaetano\u2019s debut with Gianna<\/em>.<\/p>\n

In 1974<\/strong> Iva Zanicchi won with Ciao cara, come stai<\/em>?<\/p>\n

In 1975<\/strong> it was the turn of Gilda, a medical student, who sang of a pure Ragazza del Sud<\/em> (southern girl). Overall sales plunged to a historic low with 45 thousand copies, triggering suggestions that the event should come to an end.<\/p>\n

In 1976<\/strong> Peppino Di Capri prevailed with Non lo faccio pi\u00f9<\/em>, while Toto Cutugno, a future champion of the Italian melody, came in third place with his band Albatros (Volo AZ 504).<\/em><\/p>\n

In 1977<\/strong> Bella da morire<\/em> by the Homo Sapiens achieved the victory.<\/p>\n

In 1978<\/strong> Genoa won on all fronts, with Beppe Grillo conducting and Matia Bazar coming first with \u2026E dirsi ciao!<\/em> followed by a sixteen year-old Anna Oxa with a Fossati song (C’\u00e8 una ragione<\/em>).<\/p>\n

The decade ended (1979<\/strong>) with Mino Vergnaghi\u2019s victory with Amare, <\/em>ahead of Enzo Carella \u2013 both to be soon forgotten \u2013 and the Camaleonti.<\/p>\n","protected":false},"excerpt":{"rendered":"

In the early nineteen-seventies the popularity of the Festival was at its peak, and in 1972 it achieved its historical record, with 26 million viewers: almost one Italian out of two watched it. Then began a decline that saw it steer clear of the most vital ferments of those years, marked by political violence. The […]<\/p>\n

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