Dalla balera al dancing playlist

From dance halls to clubs

Before the arrival of discos, people danced to the music of small orchestras and ensembles in places that have been enshrined in the history of entertainment in Italy: dance halls appealed especially to the humbler classes in rural areas and the suburbs of the great cities, while dance clubs and nightclubs attracted a more affluent crowd. Even if the music that was played in the two types of locales was often the same, the repertoire of the popular dance halls preferred Italian dances (or what were thought to be so), such as mazurkas or waltzes, while the more upscale clubs offered foreign novelties, introducing new dances from North and South America that catered to more cosmopolitan tastes. This collection alternates between tango and mazurka, rumba and samba, bolero and the Lambeth Walk, the dance which took London by storm in the late 1930s. The protagonists include a number of great voices of the interwar era, such as Meme Bianchi, Elena Beltrami, Luciano Benevene and Vittorio Belleli, with the Angelini Orchestra.

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Articles
C’era un ragazzo che come me amava i Beatles e i Rolling Stones
(Mauro Lusini-Franco Migliacci) – Gianni Morandi, 1966 The composer was Mauro Lu...
Una casa in cima al mondo
(Pino Donaggio-Vito Pallavicini) – Pino Donaggio, 1966 That too came out in the ...
4/3/1943
(Lucio Dalla-Paola Pallottino) – Lucio Dalla, 1971 One day, at the beginning of ...
Jesahel
On the other hand I had the Delirium with Jesahel under my belt, a success beyon...
L’immenso
(Amedeo Minghi) – Amedeo Minghi, 1976 L’immenso really stems from the need to af...
Mogol e Bob Dylan
I translated Dylan’s lyrics. I had a contract that stipulated that Dylan c...
Nel sole
(Pino Massara, Vito Pallavicini) – Al Bano, 1967 At the end of April 1967 I reco...
Pensieri e parole
Pensieri e parole talks about a communication problem with a loved one. It is co...
Una lacrima sul viso
(Mogol-Bobby Solo) – Bobby Solo, 1964 They were a bit perplexed at Ricordi...